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The gesture was tongue-in-cheek: while they admired his avant-garde aesthetic
Blackman was interested in capturing the same landscape at different times of day
For collectors of landscapes
Namibia' 2018
is perhaps a punny nod to how the Mona Lisa has become a pseudo-deity in modern life
James Whitington 'Chair (Parisians III)' bright & vivid The gesture was tongue-in-cheek: whileJames Whitington is a master printmaker and artist. From 1977 to 2000 he worked with a range of distinguished artists including Brett Whiteley, Charles Blackman, Tim Storrier, David and Arthur Boyd. In 1989, he had his first solo exhibition of paintings and monotypes. Chair (Parisians III) is a strangely beguiling image. It is gestural and abstract, rough to the touch yet liquid to the eye. In the dance of Whitingtons marks are infinite allusions:
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