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he plays with the pictorial grid
16 Series B' 1992
'Late Afternoon' 1991
'Ovahimba Headman
In this etching Charles Blackman lovingly captures his third wife Victoria Bowers
Philippe Le Miere 'The good life' black & white he plays with the pictorialPhilippe Le Mieres digitally rendered landscapes were born as free form sketches, drawn on the computer. They then grew into 3D computer generated models, virtual worlds Le Miere could roam, finding the perspective which would form his work of art. The good life is not a real place coordinates you can swivel but cant locate. It may be informed by the surroundings of Mornington Peninsula where the artist grew up, as well as the history of landscape
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