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An introductory essay by Gillian Sneed situates Mayer within the New York art world of the 1970s and ‘80s and argues that Mayer’s public art anticipated more recent practices of site-specific and socially engaged art
created art in the blind spots of state censorship
Side A: Xiu Xiu - Kitten Revolution
Flip flops are one of the largest marine pollutants on the Indian Ocean beaches
die in Libyen Opfer von Menschenhandel und zur Prostitution gezwungen wurden
How Sad I Am Today, by Ray Johnson (University of British Columbia) magazine An introductory essay by GillianThis catalogue accompanied an exhibition of the same name at the Morris and Helen Belkin Art Gallery in Vancouver, Canada from October 8 December 19, 1999. Michael Morris and Sharla Sava curated the exhibition. The exhibition explored Johnson's impact on Canadian avant garde artists: "Inspired by Johnson's mail art communications, Canadian artists including Anna Banana, General Idea, Eric Metcalfe, Michael Morris, Vincent Trasov and Peter Schuyff
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