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The past is weaponised in culture wars and cynically edited by those who wish to impose their ideology upon the physical spaces around us
Ruth Wilson Gilmore
Liedfragmenten
Boston Review
In the tradition of conceptual action books
Paper Revolutions: An Invisible Avant-Garde - Sarah E. James MIT Press The past is weaponised inThe experimental practices of a group of artists in the former East Germany upends assumptions underpinning Western art's postwar histories. In Paper Revolutions, Sarah E. James offers a radical rethinking of experimental art in the former East Germany (the GDR). Countering conventional accounts that claim artistic practices in the GDR were isolated and conservative, James introduces a new narrative of neo avantgarde practice in the Eastern Bloc that
