Mallard Ducklings — Giclée on Paper Paper Type:Archival Matte Paper when his technique was loose

when his technique was loose enough to feel atmospheric and tight enough to render every individual hair on the beaver's coat

A Western Capercaillie — the largest of the grouse family

the great dark-brown form filling the canvas

including the red eye catching the light

Glen's early botanical studies show a young artist finding his own way with atmospheric colour — the green background is not merely a setting but an environment

Mallard Ducklings — Giclée on Paper Paper Type:Archival Matte Paper when his technique was looseMallard ducklings a cluster of them, still in their natal down, gathered at the water's edge among the reeds. Glen painted ducklings with the same completeness he gave all his young animal subjects: the specific downy texture of newly hatched birds, the proportions not yet resolved into adult form, the expression of complete absorption in the immediate world. The habitat surroundings the reeds, the shallow water, the muddy bank are as specifically